The Book Maker's Dozen

Ever wonder what children's book illustrators have to say about their work and the industry? How do they get work? How long does it take to finish a book? Come out, sip wine, and hear not one or two, but thirteen illustrators discuss their work and answer your questions.

Panel discussion will be moderated by illustrator/author John Bemelmans Marciano.

The Book Maker's Dozen: Sean Qualls, Selina Alko, Sophie Blackall, Brian Floca, John Rocco, Aileen Leijten, Peter Brown, Dan Yaccarino, Brett Helquist, Sergio Ruzzier, Boris Kulikov, David Gordon, and John Bemelmans Marciano

*Oh, and did I mention books and limited edition prints from the book makers will also be for sale.

Hosted by PowerHouse Arena
Map & Directions

Thursday, Dec. 2nd 7-9pm
Powerhouse Arena (DUMBO)
37 Main Street
Brooklyn, NY 11201
718-666-3049

Evolution of the Sweet Treats & Secret Crushes cover


The story of how the Sweet Treats & Secret Crushes cover came to be started with Lisa's first book My Life in Pink & Green. This cover was a huge success and perhaps the easiest cover I have ever worked on. I credit this cover to a relaxing Sunday afternoon. I had just finished a large tasty sandwich from Los Paisanos in Brooklyn. My eyes were heavy and bored from watching the Sunday afternoon TV which means golf, a nap soon followed. Sadly, I was dreaming about work in particular this cover problem only to wake with an idea. Below is a sketch of my first idea which as you can see pretty much became the cover. Only I cropped out the potato chip grease from my fingers.


The final cover


There is only one problem to having a successful cover idea . . . repeating that success. Ugh!
Since this cover idea went over so well everyone from sales, editorial and even buyers want deanother "Pink & Green" cover. Sure sounds great, right? Only Sweet Treats & Secret Crushes was its own story and didn't really work with the design of "Pink & Green." The other issue was now that we launched Lisa Greenwald, we wanted to create a brand look for her books. Ugh! How to do all this and make it look like it belongs with "Pink & Green." This was going to take more than tasty sandwich induced genius.


When a blizzard threatens to ruin Valentine’s Day, three seventh-grade friends make and distribute fortune cookies to their lonely neighbors—and confront the secrets they’ve been keeping from one another.

Confident Kate doesn’t notice much but the latest gossip, and shy Georgia can’t say out loud what’s always on her mind. They’re joined by observant, careful Olivia, whose epic, single-minded crush on PBJ (real name: Phillip Becker-Jacobs) is starting to frustrate the other two. Using fortune cookies that mysteriously always seem to speak directly to the person who opens them, the three girls try to work together to bring some love to their building, while reminding each other why they’re such good friends to begin with.


With all the right ingredients to appeal to tween girls.


I started at the beginning trying many different and same approaches. Since the girls make cookies. Why not have the same design as "Pink & Green?"

But it just didn't work with the book. This book had three main characters. Olivia, Kate and Georgia. So having one person on the cover didn't seem right. Perhaps I need to just try a new direction all together and focus on the cookies and that the book is set on Valentines Day in a snow storm.

Flower as snow? Thanks to Martha Mihalick for messing up her kitchen


Still not right but a few pieces seemed to work.
1. Vibrant colors
2. Snow pattern
3. Font choice

Things that didn't work
1. There was still the problem of on image representing 3 main characters
2. It didn't look like "Pink & Green."


Still sticking with the heart cookie and snow theme. Here you see I we have three cookies representing each girl.


At this stage we were far enough along that we felt it was time to start photographing the elements we needed. I hired photographer and friend Morgan R. Levy to shoot the heart cookies and a few other props. Lucky for me it was almost Valentines day and Betty Bakery had the exact cookies I was looking for.


The next day once the cookies were baked Morgan and I set up shop in my kitchen to start photographing


Kentucky watched

Here are a few out takes

Back cover ideas.
Olivia, Kate and Georgia make cookies to give to there friends and place them in Chinese food containers.



Snowflake mesh pattern for background.

We also shot fortune cookies. The girls actually bake fortune cookies in the story.







At this point Morgan left for Iceland to work on her thesis.


There was still talk at this point that the cover was still not syncing up with "Pink in Green." The problem was we had left out any human presence. We needed a human element. But how to do this with out showing a face or a figure. I went back and took a look at "Pink in Green", going over all the elements. The hands, the hands. These were the elements we were looking for the connect it all together. By simply placing them in much the same posed as on "Pink in Green" it helps the viewer visually connect the two books.


The next problem in Morgan's absence I hired photographer Jonathan R. Beckerman, my brother. He was the photographer for My Life in Pink & Green. Normally Jonathan is my go to photographer for all photographic covers but earlier in the project he was all booked up. He and I have worked on many covers together. Such as Struts & Frets, Anxious Hearts, Troy High, The Girls, and Anahita's Woven Riddle. Now I needed some hands. With in the week he delivered just the right ones.




Back cover design mimics the layout of My Life in Pink & Green



The final cover


Final layouts

Spot Gloss sparkle layer



Jacket proofs at the printer in Hagerstown, Maryland























Amulet Books Spring 2011 Preview

Holy Pickles! I am now a CREATIVE DIRECTOR!



“By working faithfully eight hours a day you may eventually get to be boss and work twelve hours a day.”- Robert Frost (NUTS!)


At Abrams, Susan Van Metre has been promoted to svp and publisher and will now oversee all comic arts books in addition to Abrams Children's and Amulet Books. Charles Kochman is promoted to editorial director for Abrams ComicArts, adding oversight of children's comics and graphic novels, reporting to Van Metre. Chad W. Beckerman moves up to creative director and oversee design for all comic arts books, Abrams Children's and Amulet.

The WIMPY KID Macy's Thanksgiving Day Balloon Revealed







Recently I headed out west on a secret mission. What was that mission . . . ?

You guessed it. We went to check out The WIMPY KID Macy's Thanksgiving Day Balloon. Below are photos of our sneak peek.








This mold reveals all the different sections that need to be sewn together for the balloon to take flight. See all the lines!

Above is the balloon model and the actual balloon in flight.

Inside the balloon head.


Flat



Today the ABRAMS team traveled out to East Rutherford, New Jersey for the first outdoor test of the Wimpy Kid balloon as well as training to become balloon handlers. The ABRAMS team including myself will be balloon handlers during the parade. Thanksgiving day promised to be a long memorable day.








Merle and Kristina held down Greg's foot with all there might.














Michael Jacobs



Secret South Dakota Mission . . . wait . . . what?






Welcome to South Dakota


Last Thursday I flew out to Sioux Falls, South Dakota. I know what you're thinking, South Dakota? ABRAMS flew myself and Jason Wells out there on a top secret mission. But of course its a secret one that I will reveal on Monday. But in the mean time here are a bunch of photos from my South Dakota adventure


South Dakota loves to hunt with adorable dogs



Our Secret mission started here.


Up at dawn, we meet our contacts here for a simple breakfast.


South Dakota's has a variety of game to be hunted


After breakfast we were ready completed our mission. Here is a sneak peak.



Then we hit the road to see what South Dakota had to offer.S. Dakota offered a 75 mph state highway. At times I was going a tad fast ( 100 mph ) as we drove across the state with Mount Rushmore and the Black Hills in our site.

Lots of road side attractions




Uh . . .?

After a 6 hour drive we arrived to an empty Mount Rushmore all lite up.


7:45 AM Mountain Time



Just down the road from Mount Rushmore is the Crazy Horse Memorial
http://en.wikipedia.org/wiki/Crazy_Horse_Memorial

Korczak Ziolkowski
The mountain carving was begun in 1948 by a Polish American sculptor Korczak Ziółkowski, who had worked on Mount Rushmore under Gutzon Borglum in 1924.

This is what Crazy Horse will look like when finished





They have a long way to go.

A wee forest fire.

Mission and sight seeing tour completed. Now its back to NYC to attend a Halloween Party

Drawn in Brooklyn




DRAWN IN BROOKLYN




Drawn in Brooklyn festival and exhibition of children's book illustrations! Brooklyn's diverse, vibrant environment is home to the most remarkable concentration of children's book professionals on the planet. This fact is put on brilliant display by the work of the illustrators featured in this exhibition. We hope you enjoy this wonderful opportunity to meet these artists and experience their work.

Drawn In Brooklyn Exhibitions
September 21, 2010 – January 23, 2011
Central Library, Grand Army Plaza

Grand Lobby
Original children's book illustrations by 34 artists curated by John Bemelmans Marciano
Foyer Cases
Featured illustrators' picture books
2nd Floor Balcony Cases
Site-specific installations created by illustrators
Youth Wing
Sketches, models, tools and more that reveal the processes behind
the making of picture book art.


Sean Qualls

Sophie Blackall



Lauren Castillo



Brett Helquist



Peter Brown

F

Glasses Photo Series: Publishing Folk

Sophie Blackall, Illustrator

Sophi



Neil Swaab, Mr Wiggles

Neil Swaab




Martha Mihalick, Greenwillow Books

Martha



Amy Ryan, HarperCollins

Amy Ryan


Colleen AF Venable, First Second

Colleen AF Venable



Laura Lee Gulledge, Page by Paige

Laura Lee


Marcellus Hall, Illustrator/Musician

Marcellus


Susan Van Metre, Publisher

Susan



Grace Lacovara, The Book Nook

Grace



Tamar Brazis, Executive Editor

Tamar Brazis



Fiona Robinson, Author/Illustrator

Fiona Robinson


Jonathan Beckerman, Photographer

Jonathan



Pete, Author

Pete



Kate Moloney, Co-Author, Tim Gunn's Guide to Style



Dan Santat breaks down . . . his compositions




I just came across Dan Santat's blog about how he breaks down . . . his compositions. It's an amazing insight into how he works and is worth a read.


"Recently, a friend of mine asked me to give my two cents on how I compose a page for book illustration. I don't really consider myself an expert on art, design or composition but I figured I'd share my philosophies on the matter for those who may feel they can be a helpful start in illustrating for picture books.

First of all, I should discuss my influences. I learned everything by imitation. I think, for anyone who has started in art you begin by copying those things that interest you and you improve by repetition. For me, I grew up drawing Garfield and VINCENT from the old Disney movie "The Black Hole" (Don't ask) When it came to children's books my infatuation was with the work of William Joyce..."—DAN SANTAT